Welcome to my new site

Hello, and thanks for visiting. Welcome to my new site. My name is Ben Farrell. Based in Sydney Australia, I love photography and writing. I’ve been taking photos and writing for years now. At first I wasn’t sure where my writing was going as I was never in to writing novels or even short stories for that matter. Every time I tried to write anything of great length, I’d never finish it.

My writing began to stray further away from fiction and took the form of social poetic commentary and the madness of the world. I’m not a columnist, nor do I work for a newspaper, so I never knew how to get my stuff out there. It wasn’t until I discovered blogging, that I realised it was a perfect medium for my style of writing.

Short, insightful and relevant… At least I hope…

I love travelling and capturing foreign places with my lens. When a photo won’t create the whole scene I like to blog to set the environment and conditions around which an image was captured. I guess you could say I’m a wanna-be travel writer and photographer. In reality these are just passions, but I’m fortunate that my job allows me to travel. Between meetings, phone conferences, and workshops, I escape my air conditioned hotels to wander the streets of wherever I am with me camera, absorbing myself, my writing and my lens into whatever culture I find myself in.

Travelling on business doesn't always allow for the freedom of taking photos, even in your 'free' time.

The key to great shots and a true experience is getting lost. Turning off a main road and wandering the back streets. This is where the real culture is.

To me, travelling is one of the most powerful drivers of wisdom and insight. It helps put things back in context and love life. It helps understand that your way of living is only one way among many. At times I find myself, at a site of great significance in another country and just have to put down my camera, sit down and embrace the moment. There’s a fine line between capturing the world with your lens and living through it. The latter results in detaching yourself from the reality of the moment altogether and you may as well be on your couch at home watching a travel documentary.

The hard part can be keeping up with writing and photography, especially when you’re in a foreign, inspiring place, and all you want to do is capture it as best you can. With technology, it’s become even easier in recent years to share your experience with friends and strangers, and I’m always on the look out for new gadgets that can make the capturing process even easier.

Flying alot provides great time to write and edit your photos. With iPads and some solid photography apps and gadgets, it's even easier than ever.

Thanks for visiting and enjoy. All images on this site are original images taken by me. If you have any questions, please email me:

ben@imagespeak.com.au 

 

The Fate of 15 Minutes

I step out of the air-conditioned office. The Bombay air hits me. It’s heavy and damp. I’m ushered in to the cab and we pull out of the driveway. We bounce around as the car lurches, stopping suddenly to avoid pot holes, rickshaws and people. I’m traveling with two colleague’s. Lalit and Ramin, both from Mumbai. Lalit tells me it will take one hour to “reach”.

It’s a dark afternoon as black clouds hang heavy threatening to dump monsoon rains onto the surrounding tin roofs. I stare at the window from the flyover at the slum that lies beneath. Small brick shacks with improvised roofs sprawl out across the city. Most covered in bright blue tarpaulins to defend them against the monsoon rains. Small walkways zig zag throughout the slum, slicing it in to messy uneven pieces. Street vendors sit on the wet footpath selling everything from shoes and jewellery to fruit, toys and other random items.

The car picks up speed and we lift off the seat as we fly over a rise in the road. The driver beeps the horn as we weave between trucks with no respect for lane discipline. We are heading to Dadar West, a heavily populated market area near the heart of residential Mumbai. I want to buy a lens for my camera and Lalit has found a camera store that has the lens in stock. Lalit sits next to me. His phone rings every few minutes. He answers with “hullo?” before breaking in to Hindi interspersed with english. I pick up key words and can follow most of the conversation. He hangs up and begins to hum a tune to himself. An enchanting Indian tune hummed in perfect pitch resonates throughout the car and provides the perfect soundtrack to the surrounding scenery.

Lalit tells me we will reach in five minutes. Not long after we exit from the flyover and continue down smaller residential streets. The streets are heavily crowded. Outside is a buzz of activity. I stare out the window at the chaos beyond the air-conditioned car. I expected to be taken to a shopping mall, but now find myself in what appears like a very local market. It starts to rain as I step out of the car. Again the air hits me as large drops of monsoon rain fall on my head. I look around the street and all of a sudden I do not feel well at all. I jump as someone honks behind me, before a motorbike passes me with inches to spare. There are so many people around I didn’t even realise I was standing on a road.

When you're a tourist in a very local area... Everyone stares

I begin to feel very dizzy as I look around trying to take everything in. Something doesn’t feel right. I begin to panic. I’ve gotten sick twice in India before. However this feels different. I’m overwhelmed. My vision changes and begins to darken around the edges and I wonder if I might faint. I’ve never fainted before so I don’t know if this is what it feels like. Lalit turns to me as says “come, we’ll go”. I follow him as we make our way through the mass of people on their way home. I try to calm myself down and walk slowly. My head feels heavy, like there is pressure inside. I feel as if the Bombay air has got inside my head. We turn a corner and I glance up. I see a tall old English colonial building that stands at the end of the narrow street we are on. There is a mess of people, cars, motorbikes, rickshaws and street vendors. The scene is too much to take in. I glance up at the building and begin to feel worse…  What is happening? I have been to India twice before and been overwhelmed many times by the flurry of people, colour, sounds and smells, but never have I felt like this.

 

The chaos of the streets are overwhelming

We enter the camera store. The “AC” is cool. The staff stare at me as I walk in. It’s a tiny shop, no more than 2 meters wide with high shelves and many draws lining the walls. The shelves are packed with cameras, lenses and other accessories. I lean on the counter and try to calm myself. I try to slow my breathing and calm my nerves. I then remember that I have Valium in my bag. I don’t like flying so the doctor gave it to me before I left. I place my bag on the small glass counter and try to discreetly reach in to the front pocket for the bottle. I feel it and manage to unscrew the lid with one hand. I pull out a small tablet and place it in my mouth. I’m embarrassed by this and try to make it look like a mint as I throw it in my mouth and begin to chew. The tablet dissolves into a pasty consistency in my mouth as I try to swallow it down. I’m desperate. The salesman comes over and Ramin asks for the lens I want. The guy wobbles his head sideways. I’m still not sure if this means yes or no until I see him reach in to a glass cabinet and pull out the lens. He places it on the glass counter and says “2 year warranty”. The salesman walks back to the cupboard the lens came from and closes it. It slams shut with a loud bang and I jump like a school girl. I look at Lalit and Ramin to gauge their reaction and see if they saw me over react to this situation, however they are chatting between themselves in Hindi and haven’t been watching.

I want to leave so I don’t say much, but just hand over my credit card. The salesman then leaves to get me my “bill”. We wait some time for this and the Valium begins to take effect. I don’t feel as panicked now but still feel not quite right. The pressure is still in my head and I just want to leave. I glance outside beyond the small door of the shop and see the surge of bodies passing in the street. I panic again and wonder how I’ll feel once I step back on ot the hot dusty street from this tiny AC oasis.

I place the lens in my backpack. Ramin pushes the door open, turns to me, smiles and says “no rain”. The rain has stopped by the sky is still dark. Steam rises from brown puddles on the ground. We walk back to the main street. This place has a strange feel. I begin to wish that I hadn’t decided to go shopping. I think of the hotel in my mind with it’s cool air-conditioned foyer, smell of sweet fragrant oils and enchanting hangings and music drifting through in to the dining hall. How I wish I was there now. Lalit stops at one of the street vendors. There is a long queue. He turns to me and says “you have to try this”. This is a phrase I’ve heard many times on my trip and to be honest I’m really not in the mood to try another Indian sweet. Everywhere we go I stand on hot street conners, trying to blend in as Lalit, Ramin or someone else queues to get me a snack. I always smile politely as I grab the sticky rice with my hands, pinching it with my three fingers and thumb like I’ve been shown, before reluctantly placing it in my mouth. Not today. I want to leave.

Finally we make it back to the main street and I see the cab on the side of the road waiting for us. I begin to relax as soon as I see the car. As soon as I know we can leave, I feel better. Ramin stops on the corner and lights up a cigarette, Lalit winces at him and shouts “nay”. I say “it’s ok, finish your cigarette” we are standing beside the cab now so I feel ok. Over the road is a bus stop, crowded with people waiting to jump on the moving buses as they slow down but not stop. People hang out the sides, grabbing on as they lurch in to motion, other people jump off ‘alighting’ from the moving bus as they awkwardly shuffle, and stumble still carrying the vehicles momentum with them.

Ramin points next to the bus stop and says

“there’s a place… Over there, where they feed birds”

I smile and say “oh.”

Ramin smiles back and says “you want to go to that place?”

I really just want to leave. I smile awkwardly at Ramin not knowing what to say.

“they feed birds?” I say, trying not to answer the question.

Again he says “you want to go?”

I say “no, thats ok ”

Ramin throws his cigarette in to one of the muddy puddles and I’m ushered back into he cab. Lalit sits next to me on the back seat. He leans forward to the driver and shouts “phoenix la” gesturing in a forward motion.

We lurch off in to the medley of movement and slowly weave our way down the street. I look out the window at the bus stop and the place where they ‘feed birds’. I stare at the street vendors sitting in the dirty gutters with their plastic sheets prowled out in front of them upon which they sell their merchandise. In between parked cars they sit, trying to get the attention of passerbys to sell there wares. Finally the traffic moves again and within ten minutes we reach a large modern shopping mall. Very different to the surge of bodies, sweat, sweets and rickshaws of Dada West. We enter a large car park and make our way down a windy roadway before we are ushered in to a parking spot by an attendant with a whistle.

We enter the mall and it’s cool, fresh, modern and seems familiar. I’m relaxed now. I no longer feel any of the previous anxiety. The pressure and Bombay air in my head has been replaced by the AC of this giant mall as well dressed locals make their way through the brand name shops. Lacoste, Adidas, Reebok, Armani form a strip which is obviously the expensive level of the mall.

Ramin turns to me and asks if I want to go to a ‘Sports Bar’. In my time here I’ve learnt that any bar with a TV in India is classified as a sports bar. Usually filled with waiters in smart yet odd uniforms trying to replicate the plastic exuberance of American diners, but in turn creating a very different experience that can only be had in India. This bar is called ‘Manchester’. It’s filled with soccer memorabilia as soccer balls and jerseys hang from the roof. There are 3 giant TV screens and all of them are showing cricket. We sit at a table and order our two for one happy hour beers, as two waiters usher over bowls of snacks for us. I turn to face the giant TV’s when suddenly the picture changes.

All three screens change to red with white scrolling text ‘Breaking News’. The rest is in Hindi so I don’t know what’s going on. I turn to Ramin who has suddenly gone pale. He grabs his phone and begins texting madly. He glances up and says ‘there’s been a bomb blast, three explosions’

‘Really? Where?” I ask. Ramin pauses for a minute then says

‘The place where they feed the birds’ I turn to Lalit who looks uncomfortable. He glances up to me

‘we were just there… It’s ok Ben, we’re safe here’. Ramin swigs his beer and says

‘No we’re not. This isn’t a safe place’. I begin to panic again. The same feeling of dread and anxiety defends upon me.

‘should we leave?’ I ask.

‘No’ Lalit says we should stay here. Ramin tells me there has been three blasts. One in Dadar West, one in Colaba and one in some place I haven’t heard of before. I glance up at the screens. There’s now a map up. I recognize the geography of Mumbai with it’s town centre detached like an island. Animated blasts flash up on the screen indicating the three locations. Ramin tells me people are dead. A car bomb parked at the bus stop where I watched the surge of bodies, where I stood with Ramin why he finished his cigarette, where the street vendors sat in the gutter… A car bomb exploded killing people and injuring many. The small camera store with it’s high walls of shelves and draws, now gone. The bustling streets, now a different type of chaos.

Later I saw pictures of dismembered bloodied body’s strewn over the streets of Dadar West. Twisted metal relics of motorbikes and rickshaws littered the street. I thank God I felt unwell and declined the snack that Lalit wanted to line up for, and declined Ramin’s offer to see where they ‘feed birds’. I’m thankful for whatever it was that made me unwell and heightened my desire to leave that one afternoon on the damp hot, now destroyed streets of Dadar West.

I’m a Selective Sociopath

“I’m a selective sociopath”… Well, not really, but if I was a criminal this would be the job title I would choose. Maybe I could even get a business card made up: ‘Ben Farrell – Selective Sociopath – Criminal Enterprises specialising in self-gain’. You see there are indeed sociopaths. That is, humans who are incapable of feeling any emotion. Often studies of the infamous serial killers over the years have revealed that these individuals were true sociopaths who were incapable of feeling emotion, such as remorse, which is an excellent quality to have if you plan on killing people really.

This phenomenon has recently been brought in to pop-culture with shows such as ‘Dexter’. The problem with this show is that Dexter, as the shows suggests; is a sociopath, yet his motivation for killing is because his victims are criminals who have committed bad deeds. This is his way of justifying his actions, yet justification is something that a true sociopath has no need or motivation to do. The need to justify ones actions requires a level of guilt… An emotion. Secondly the constant voiceovers and internal monologues in this show express Dexter’s emotions and about how he feels about not being able to feel emotion… What the?… Anyway, I’m obviously not a fan of the show.

Anyway what I’ve realised recently is that most criminals are not sociopaths, they are selective sociopaths. That is, they are incapable of feeling any emotion unless it relates to themselves or sometimes their own personal relationships. Let’s just say I’ve worked in past professions where I’ve seen people show utter disregard to their victims, families, property, children etc, yet break down emotionally when triggered on a personal level. The other night I watched a quality ‘current affairs’ program (*insert sarcasm here*) where the story showed a widow of a major gangland figure who was gun downed and killed. In this ‘exclusive interview’ the widow wept genuine tears and sobbed about “the way in which he was killed… how could they”. Does she not take a moment to consider the horrific way in which her husband killed or organised for numerous people to be executed in equally, if not worse, bloody scenarios. It seems these people are selective about the emotion they feel.

Now don’t get me wrong, there is a fine line between just being ruthless, not caring, being selfish or displaying self-centred arrogance and then being a selective sociopath. Yet it seems genuine selective sociopaths such as our crying gangland widow are totally oblivious to just how ridiculous their double standards are. They are not even aware of the irony of their ways.

Despite this, the topic of sociopaths, criminals and more so, societies view of such people has got me thinking. Following the recent tragic events of the earthquake in Christchurch New Zealand, the floods in Queensland Australia and now the earthquake and tsunami in Japan, we have seen a lot of media ‘stories’ which have been both inspiring and emotional and some just sensationalised and straight out inaccurate. Despite this, one motif always strikes me in times of disaster… That is the way in which media and society react to people looting during these times of crises. “How could they?”… “At a time like this”… “How could they take such advantage of people at their most vulnerable”… Whilst I strongly agree that people who do this are scum… They are criminals, what do you expect? That’s what they do. Regularly they take advantage of vulnerable people as they rob, steal, consort, and unleash violence on unsuspecting vulnerable victims. So my question is… Why is it that the media and society expect these individuals to suddenly develop a social conscience in times of disaster? Why would a criminal, a sociopath or a selective sociopath suddenly care that people lives are in turmoil. The only difference in a natural disaster is that the turmoil is not caused by criminals as it usually is… It’s caused by nature and usually on a much greater scale. People who loot are not your average Joe who passes a destroyed electronics store and, out of the blue, decides to grab himself a plasma TV. They are criminals who take advantage of the chaos, vulnerability and lack of law enforcement.

In my opinion most criminals are selective sociopaths who feel no emotion such as remorse or empathy for others, yet have double standards when it relates to their own situation. When they themselves become victims, suddenly they are capable of feeling sorry for themselves and even expect sympathy from others such as the weeping gangland widow. And then there are actual sociopaths who are just downright scary. Yet, at the end of the day in times of flood, earthquake and disaster, these criminals are like a kid left alone in a candy shop. Society is in chaos, law enforcement is stretched and people are vulnerable. It takes a lot more, if anything, than a natural disaster for these people to change and suddenly conform to social norms.

Let me finish by saying, by no means am I condoning the actions of these pathetic individuals. I think what they do on a daily basis is disgusting and yes even morally worse when the world is at its most vulnerable. But just don’t expect your average day crook to put their ‘daily activities’ on hold because people have already suffered enough.

My Dog is on Antidepressants

“My dog is on anti-depressants… He’s depressed”. I stare at the woman telling me this trying desperately to read her face for signs that she’s joking… Surely. You know that moment where someone tells you a joke and they try to keep a poker face for as long as possible before they crack and awkward giggles of relief follow as you realise they’re joking. I’m now staring at this woman who is staring back at me still with the serious poker face, but doesn’t appear to be cracking… At all. I break my gaze and glance down at the small dog by her feet, who, well… Looks like a dog. Not depressed, just a dog…. ‘Dogs have sad faces’ I think to myself…. I don’t think my Pug’s ever smiled… “He’s on half a valium in the morning and a Zoloft in the afternoon” she tells me… I think to myself, well, the dog does look very relaxed.

I can’t help myself, and begin to ask… “What makes you think…” I stop… Her serious sad eyes gaze at me, then to her little dog and back again, still with a very concerned look on her face. I re-phrase… “How did you know he was depressed?”. I mean, seriously, how do you know if a dog is depressed. Sure, dogs can be sad, but give it a bone it it’s having the best day of its life. Surely dogs don’t have the cognitive ability for self-reflection to get to the point where they’re depressed. The woman begins to tell me how little ‘Borris’ just wasn’t himself any more. As she continues I begin to think this ‘diagnosis’ is more about the dogs owner, than the dog. I glance around the room. It’s dark and musty with various collections of what could only be described as ‘things’ old magazines, plates, cutlery, paintings, blank canvases, jewellery, wigs, masks and a world of brick-a-brak. The curtains are drawn probably for fear of ‘fading the furniture’ and I wonder how in touch with the world this woman and, as a consequence, her poor little dog is. She tells me that she doesn’t leave the house anymore as she can’t leave Boris alone, and I begin to realise that the dog is merely an excuse for her detachment. An excuse for her to stay indoors and not venture outside.

This gets me thinking what a strange and at times bitter and twisted thing the mind is. Whether this small chihuahua does have depression or not, the fact is that mental illness is on the rise and whilst there are a million medications, self-help books, meditation courses, psychologists, and now dogs on valium… Not many people are really asking “why?”

We have all, some more than others, experienced depression and anxiety before. It comes and feels, at times, like you’re never really here, only briefly through moments of short-lived clarity. You see and appreciate the good things but as if they are only copies of the Devine originals as everything lacks the vibrant buzz it used to have. Something else takes over, an inner noise that is neither sensational nor inspiring. It is as if you have a disgruntled and dissatisfied entity living within you. Perception seems tainted yet heightened to the point where other people’s negative moods spill on to you and affect you as if they were your own. You sense tense vibes like a tracker finds footprints in the bush.

An inner frustration persists at your conscious, robbing you of any ability to settle and be still and relax. Fear of wasting the day, wasting the night, wasting your life encourages people to drive, walk, run from one side of the city to another looking to quench an everlasting thirst for any raw happy experience.

You lie on the beach and you enjoy it but, when you’re anxious, you will actually look back more fondly on the memory of the experience of being on the beach rather than the experience itself, lying in the warm sun with sand at your toes, thinking incessant and irrelevant things.

It is as if the mind is being used at a hundred-percent capacity when it retrieves an old memory so you only experience the memory. For a short moment as the mental movie is playing there is no more mind space to judge, criticise or comment on the memory being played. It is because of this I feel at times; a memory of an experience can possess more stillness, more peace, and more clarity than the actual moment itself. Memories are a much less complex representation of the actual moment without all the unnecessary noise and judgment.

The risk is that it then becomes as if people are wandering looking for experiences to add to their memory bank to be edited and retrieved later without the present associated mental noise, as if my memories are digitally remastered versions of an old show reel. Like a tourist who views his holiday through the viewfinder of his camcorder, some people view their life in retrospect but as it happens. Building memories rather than moments, photo albums rather than happiness and catchy Facebook status updates and photo uploads designed to entice and invoke jealousy in your ‘friends’ as you present the Facebook version of your life, when really you’re sad and lonely.

You may sit in the cafe, trying to be still and calm, sitting in the sun and enjoying the view. But you want to leave… Where to? You don’t know, but you force yourself to sit there longer, you force the experience for fear of regret? Maybe, but perhaps to finish the mental movies of ‘me enjoying the sun and a coffee’ or ‘me enjoying the beach on a summer’s day’. What does this mean, are we the star of these mental films yet prefer to watch them rather than enjoy acting out the scene as it happens?

Yet sometimes memory becomes the director’s cut of your life as it hijacks experiences and memories putting a negative spin on them, choosing and editing particular snippets to make a moment totally different to the actual event when it is relived in your head. This director knows his target audience well and plays on your personal fears, paranoia and insecurity as he selects particular takes on things to play on your emotion. As you re-live and re-play past events.

So why is anxiety such a useless and modern day disease? We are so saturated by the media who love embellishing the truth, putting images of war and tragedy on a dramatic soundtrack with a catchy heading that we have begun to do the same to our own lives. We envisage our dramatic life being played out. Something dramatic will happen and afterwards we will drive home rehearsing in our own heads how we will tell the story to others. We get a warped sort of excitement about break the news story ‘what just happened to me’.

This is depression, lack of interest, lack of energy, lack of being able to connect with positive vibes and situations. A bitter, twisted and resentful director sits in your head calling the shots putting a negative spin on everything to increase the drama. Just don’t get addicted to it. Conflict is, after all, the centre of drama and the source of most entertainment we see every day. Is this creating a culture where we are addicted to drama to the point we act it out, even fictitiously, in our own head? Do we view life as not entertaining if there’s no drama? I think it gets to a point where we actually identify with drama and connect with it on a deep unconscious level.

We enjoy the entertainment drama brings and the spectrum of emotion it evokes, we enjoy the catharsis we go through at the end of it and it all becomes ‘normal’. Maybe with depression being one of the most commonly diagnosed illnesses, this is in fact the new world that we live in, hanging in suspense everyday waiting for the next episode as we play the ‘next week in my life’ teasers in our head. Meanwhile I think Borris needs to up his Zoloft to 100mg a day. He’s not coping well.

Do You Remember the Clarity?

Do you remember the clarity of childhood? Out in the playground you would sit observant and care free. Do you remember the smell of the freshly cut woodchips underneath the monkey bars? Everything was so crisp, so fresh and so new. You remember the smell of the damp soil as you dig in the garden. The change in sunlight as the summer’s day turned to a cool afternoon doused in shade. You really did live in the moment. It’s funny how when you recall childhood memories you really do remember the small details. You remember the smells, the tastes, the texture and the emotion. I remember the colours of my plastic trike, every single part and the sound it used to make when the plastic wheels ground over the asphalt below as the vibrations shook my small happy body. I remember the faded and paint chipped blue bubblers that stood looking sad outside my primary school classroom window and the way the cool water would spurt in different directions as I would sip during the lunchtime of a summer’s afternoon. I can see the weaving and faded patterns of different coloured handball courts that wove through the playground. I remember the colour, feel and smell of my rug for ‘sleep time’ at preschool. Yet why is it that memories of late seem less vivid? They appear as faded VHS recorded moments with poor colour saturation and void of the associated smells, texture and emotion of the moment itself. Why is it that something I recall from five years ago may have less impact and detail as a memory from childhood?

It is as if we go from directly experiencing the world to then experiencing it through a veil of modern day stress and mental noise. As we get older we give things labels. Likes and dislikes, wants and needs, pleasant and unpleasant and once we do this we no longer really every ‘see’ these now labelled things but experience them through a clouded lens of pre determined judgment that changes our entire view of the world. Never again do you experience things just as they are. Nothing is new anymore, everything has been done. We go from no longer seeing the beach but instead we see a place on dangerous rips, sharks and bluebottles. We no longer see the beautiful sun drenched day, but we see another day of exhausting heat, sunstroke and skin cancer. We don’t see the beautiful view as we gaze from the peak of a mountain but we see a dangerous height where one could fall and bush below where people get lost and die. It’s as if we go from the playground to inside the house where we dwell in what we are so sure we already know.

At first we sit in a clean freshly painted white room with big clear windows through which we still interact with the world, but it’s different. We may still get a waft of spring wattle on the coming summer breeze that floats in through, but we won’t often venture outside to experience it directly. We stare out confused with that look of distracted interest you remember so well witnessing on your parents faces as they watched you play and you craved for attention in the yard outside.

As time goes on the window gets a little dusty and the view through the dirty glass is a little more obscured. The clean new white room has changed and begins to fill with a few objects that grab your attention and distract you slightly from the outside world. Things of worry, concern or dismay fill the room and you begin to focus more on these things than the window now.

Time moves on and again the window gets cloudier and the room fills with more objects that demand your attention as dust fills the corners and your own kids can be viewed outside the now even cloudier window as they glance back to see if you’re looking. But it’s hard, it’s really hard to be present and live in this moment. It’s hard to step outside this room and into the yard when there are so many issues. We live more and more in our own head than we do the actual world. Every now and then we fling open the windows and experience the world again. We are present for a tiny moment as we sit, smell the air and bath in the beauty of the garden but before long our mind takes over and we’re back indoors.

In this modern age we are very rarely present. We don’t notice the details of everyday life as much as we should. We turn to art and media to tell us about the world and we sit in our air-conditioned comfort on our Ikea lounge suite and watch ‘the world’ brought to our living room. Or we may go to a gallery, theatre and other medium in which to qualify ourselves as ‘worldly’. However even the artist whose job it is to reflect our own world back to us reflects a fragmented version of his own preconceived idea of our world. Every now and then a masterpiece will be created. This usually happens when an artist is present long enough to notice the beauty and detail in an everyday object or place and is able to capture it free of pre conceived judgement or bias and can reflect that experience back to us. When this happens it is astonishing because it communicates with our inner child linking directly back to a time of freedom, clarity, and happiness. It takes us to a time when we really did experience the world. This is the ultimate triumph for the artist.

So how do we go back to experiencing the world as new? How do we get out of our minds because if we don’t you will be stuck in that room and it will get worse.

You will start to draw the curtains over the only window for fear the sun may fade the furniture and the room will fill with clutter that you begin to cling to. You associate yourself with these inanimate objects more than you do the real world. The dust builds, the cobwebs grow and you’re stuck in a cluttered room of material possessions that represent faded memories of a time when you used to live in the real world so you cling on to them harder.

What’s the answer? Be present. Learn to tame your mind to stop its incessant noise and commentary. Try to simply view the world without judging. Enjoy the little things, bath in the detail, the sights, the smells, the texture the feeling.

Get out of the room and step into the garden, even if just to sit there. Otherwise the window will grow smaller and the world will change without you. Be present and observant like a child swinging on the cool smooth steel monkey bars smelling the fresh woodchips and thinking nothing else but that.

Is Creativity Dangerous?

Do you need to be fucked up to be creative? Does one need to endure some form of suffering or at least array of life experience in order to express themselves creatively? Look at some of the greats and you will find they were all nutters in their own way. Salvador Dali, Vincent Van Gough to name a couple.

Or is creativity spawn out of an ability to view the world objectively? It is as if, as humans, we have an ability to adopt a heightened sense of self and look at one objectively, to remove our being from ourselves and adopt an objective view. This is, after all, one of the main things that separates us from animals. The ability to think original thought and to assess oneself and even further expresses it creatively is one of the greatest achievements of human evolution.

To be truly creative the artist, so to speak, must have a heightened and well-exercised objective self in order to express himself through art, whether it be painting, writing, music etc. Perhaps it becomes dangerous when this objective self is not only awakened but also given so much attention. The objective self becomes a  muse for reflection and creation. Perhaps this makes the artist a little kooky. Maybe having such a sense of awareness leaves one more venerable to the world and certain behaviours and attributes.

At a very base level, creative people tend to be more sensitive and therefore venerable to other people’s insensitivity. But perhaps there is more to it… Perhaps we are delving into territories of consciousness we do not yet truly understand. Or perhaps our secular world does not cater for such enlightened thinking and therefore can cause people to suffer from an array of mental problems. Perhaps the only avenue to express such thought is in creative arts as there is no other arena in which to vent.

Perhaps, especially in ancient times, artists would go mad because they had awakened themselves to such a heightened extent but their world was not yet ready for them. Even the great artists and philosophers of the time became recluses and withdrew from society unable to express themselves in any other way but through their art.

Is creativity dangerous? I think not as long as we express what we find in the hidden depths of our soul and we don’t end up spending night after night with a bruised and worn out objective muse that keeps us within our own head. Perhaps the world will evolve to a point where open free creative expression is normal and revered as a healthy form of expression rather than simply hung on gallery walls or voiced through crackly beaten stereo systems in a teenagers bedroom through hard rock.

In many ancient cultures there has been a ceremonial process for boys to become men, or girls women in which a clear and distinct right of passage has been used as a vehicle for transition or expression of inner self and if need be shedding of the old and becoming a new. In some extremes boys would go through a ‘hazing process’ where they are given drugs to induce an almost hypnotic state then given new names and forced to stay in places with no food or water for days as their mothers would kneel outside waling for the ‘death’ of their son.

After this they were considered men, simple as that. Whilst this is a drastic extreme, what vehicle is there in modern society for such emersion of a new self or shedding of the old? In modern society people may go through the ‘dark’ teen years with piercing, drugs and alcohol, in a way, similar to the ancient hazing process. As if there is something in the human psyche, something innate that one feels the need to harm themselves or self mutilate in search for something new.

Whilst in modern ‘developed’ society we have so many options and opportunities as well as everything at our fingertips it is still s secular society that pushes people to express themselves in so many different forms, good and bad but without truly finding anything. As we develop we become more confused. We are evolving our self-awareness if growing at a rapid rate but in a world that can’t or doesn’t want to keep up.

Why is this? Why if we are becoming smarter, more aware and able to express ourselves in more and more creative ways are we still stuck in a world that doesn’t seem to have the respect for creativity we do? It’s a clichéd scenario… A young child wants to pursue a creative field such as drama or music but is deterred by the parents with the old ‘there’s not money in that’ as they try to convince their kids to peruse something more vocational like economics etc. It seems that this thinking is driving our world because this is in fact where the money is. Creative pursuits for the main stream are some of the lowest paid pursuits in the developed world. There is no work, no money, and not enough interest. It seems that trades and economics are driving our world leaving behind the creatives. However people are starting to want more. There is a hunger, bigger than ever before, for ‘something more’. What exactly we don’t yet understand but money can no longer continue to run the world alone.

Depression and anxiety are on the rise as we continue to build a secular world of nine to five where our minds and bodies are awakening to the song of creative spirit. Our objective self is awakening to the point where we can clearly see the chaos within our lives and it’s really scary. However to escape the chaotic grind is not economically viable so we continue and til we can go on no more, or we make it to retirement where we finally begin to live our lives. Which path will you take? The choice is yours.